His father David Poe was bred as a lawyer, but deeply offended his family by marrying an actress of English birth, Mrs. Elizabeth Hopkins, neé Arnold, and by himself going on the stage. In 1811 he and his wife died, leaving three children — William, Edgar, and a daughter Rosalie — wholly destitute.
Edgar was adopted by John Allan, a tobacco merchant of Scottish extraction, seemingly at the request of his wife, who was childless.
Poe attended the University of Virginia at Charlottesville in 1826…until he had to drop out due to lack of money. It seems that Poe had a gambling problem, and his foster father got tired of bailing him out.
Broke, Poe lied about his age and joined the army. He served two years…and then got himself dismissed by court martial.
His life immediately after he left West Point is very obscure, but in 1833 he was living at Baltimore with his paternal aunt, Mrs. Clemm, who was throughout life his protector, and, in so far as extreme poverty permitted, his support.
In 1827 Poe had published his first volume of poetry, Tamerlane and other Poems, at Boston. He did not publish under his name, but as “A Bostonian.” In 1831 he published a volume of Poems under his name at New York.
In 1833 he won a prize of $100 offered for the best story by the Baltimore Saturday Visitor. He would have won the prize for the best poem if the judges had not thought it wrong to give both rewards to one competitor.
The story, MS. found in a Bottle, is one of the most mediocre of his tales, but his success gave him an introduction to editors and publishers, who were attracted by his striking personal appearance and his fine manners, and were also touched by his manifest poverty.
His famous poem “The Raven” was published first in 1845, and soon became extraordinarily popular; but Poe only got $10 or $15 for it (the exact amount is often debated.)
Poe’s short stories featuring C. Auguste Dupin shaped the modern mystery story so much that Arthur Conan Doyle compared Sherlock Holmes to Dupin, and the Mystery Writers of America give an award named the Edgar—after Poe, of course.
Among his masterpieces are the short stories The Pit and the Pendulum, The Murders in the Rue Morgue, The Masque of the Red Death, The Fall of the House of Usher, and The Gold Bug.
In 1835 he married his cousin, Virginia Clemm, a beautiful girl of fourteen years of age. A false statement as to her age was made at the time of the marriage. She died after a long decline in 1847.
Poe made two attempts to marry women of fortune — Mrs. Whitman and Mrs. Shelton. The first of these engagements was broken off. The second was terminated by his death.
Poe died of tuberculosis on October 7th, 1849 in Baltimore, MD
Poe’s bizarre life didn’t stop just because he died in 1849. He was buried in an unmarked grave, and when gossip finally led to a stone being ordered, it was destroyed in a train accident.
Ever since 1949, someone has left a bottle of cognac and some roses on Poe’s grave. Who is leaving these things? And why?
Edgar Allen Poe is one of the featured images on the cover of the 1967 Beatles’ album Sgt. Peppers Lonely Hearts Club Band.
Bugs Bunny and Elmer Fudd in scene from "A Wild Hare"
Fun Facts About Bugs Bunny
How did Bugs Bunny get his name?
In 1940, Warner Bros. asked its illustrators for sketches of a “tall, lanky, mean rabbit” for a cartoon titled “Hare-urn Scare-urn.”
Someone in the office labelled the submission from cartoonist “Bugs” Hardaway as “Bugs’ Bunny” and sent it on.
Although his drawings weren’t used, the words that labelled them were given to the rabbit star of the 1940 cartoon “A Wild Hare,” which introduced “Bugs Bunny.”
According to Bugs Bunny: 50 Years and Only One Grey Hare, he was born in 1940 in Brooklyn, New York (in a warren under Ebbets Field, famed home of the Brooklyn Dodgers)
Bugs’s debut as a star was the 1940 short A Wild Hare, where he first uttered his trademark line, “What’s up, Doc?”
Other Well-Known Lines
His other popular phrases include “Of course you realize, this means war”, “Ain’t I a stinker?” and “I knew I shoulda taken that left turn at Albuquerque.”
Bugs Bunny has a Flatbush accent, an equal blend of the Bronx and Brooklyn dialects (of the New York Accent)
By 1941, Warner Bros’. cartoon department, technically Leon Schlesinger productions, had found its niche in animation, funny cartoons, and a lot of the credit for that can be given to Fred “Tex” Avery. However, one incident in 1941 would cause Tex to leave the WB studio forever and move on to MGM, where he exploded into one of the zaniest cartoonists of all time with the likes of his “Droopy” and “Wolf” cartoons. Avery had been a blessing to Leon Schlesinger, WB cartoons’ producer, because he had created Bugs Bunny. However, there was one early Bugs cartoon Leon didn’t like, because the ending had Bugs falling from a cliff with no resolution. “The Heckling Hare”, Avery’s 3rd Bugs cartoon, pitted the Rabbit against a dopey hunting dog not unlike “Meathead” from Avery’s “Screwy Squirrel” series for MGM years later. Due to Schlesinger’s decision to cut the original ending to this cartoon (which is now lost) the headstrong Avery literally walked out on Schlesinger and moved to MGM. Now, the cartoon is seen on TV with the ending in which Bugs and the dog “brake” in midair before they are about to crash after falling off a cliff, and we hear Bugs say “Nyah, fooled ya didn’t we?!” The original lost ending had Bugs fall off another cliff before the iris out.
Bugs at War
Bugs was popular during World War II because of his free and easy attitude, and began receiving special star billing in his cartoons by 1943. By that time, Warner Bros. was the most profitable cartoon studio in the United States. Like other cartoon studios, such as Disney and Famous Studios had been doing, Warners put Bugs in opposition to the period’s biggest enemies: Adolf Hitler, Benito Mussolini, and the Japanese. The 1944 short Bugs Bunny Nips the Nips features Bugs at odds with a group of Japanese soldiers. This cartoon has since been pulled from distribution due to its racial stereotypes.
In the cartoon Super-Rabbit, Bugs was seen in the end wearing a USMC dress uniform. As a result, the United States Marine Corps made Bugs an honorary Marine Master Sergeant.
From 1943-1946, Bugs was the official “mascot” of Kingman Army Air Field, Kingman, Arizona, where thousands of aerial gunners were trained during World War II. Some notable trainees included Clark Gable and Charles Bronson. Bugs also served as the mascot for 530 Squadron of the 380th Bombardment Group, 5th Air Force, USAF, which was attached to the Royal Australian Air Force and operated out of Australia’s Northern Territory from 1943 to 1945, flying B-24 Liberator bombers.
Bugs Bunny cartoons air in countries outside of the United States. In most cases, the original US cartoons are simply redubbed in the native language and the characters are usually given names more fitting for the country in which they are appearing. For example, in Finland, Bugs Bunny is called Väiski Vemmelsääri.
In 2002, TV Guide compiled a list of the 50 greatest cartoon characters of all time as part of the magazine’s 50th anniversary. Bugs Bunny was given the honor of number 1. In a CNN broadcast on July 31, 2002, a TV Guide editor talked about the group that created the list. The editor also explained why Bugs pulled top billing: “His stock…has never gone down…Bugs is the best example…of the smart-aleck American comic. He not only is a great cartoon character, he’s a great comedian. He was written well. He was drawn beautifully. He has thrilled and made many generations laugh.
Birth and Death: November 30, 1924 – November 20, 1973
Most known for: An American comedy writer who became famous as a song parodist in the early 1960s.
First album:My Son, the Folk Singer (1962). It became the fastest-selling record album up to that time.
Biggest hit: Sherman’s biggest hit single was “Hello Muddah, Hello Fadduh”, a comic novelty in which a boy describes his summer camp experiences to the tune of Ponchielli’s Dance of the Hours.
Allan Copelon?: Sherman took his mother’s maiden name after being abandoned in childhood by his father, Percy Copelon, a stock car racer, mechanic, and inventor. Much later, Copelon offered to pay for Sherman’s education if he would re-take the family name, but when no support was forthcoming, the young man became Allan Sherman once again.
TV Show Writer and Producer: Sherman created a game show, which he called “I Know a Secret.” TV producer Mark Goodson used Sherman’s idea and turned it into I’ve Got a Secret, which ran on CBS from 1952 to 1967. Rather than paying him for the concept, Mark Goodson-Bill Todman Productions made Sherman the show’s producer. Sherman was reported to be warm and kindhearted to all who worked for him. But sparks often flew between Sherman and anyone who was in a position to try to restrain his creativity.
As producer of I’ve Got a Secret, which was broadcast live, he showed a fondness for large scale stunts that had the potential to teeter on the brink of disaster. He once released 100 bunny rabbits onstage as an Easter surprise for the Madison Square Boys Club, whose members were seated in the studio. The boys were invited to come up onstage to collect their prize. Although the resultant melee made a good story, it did not necessarily make for good TV. The relationship between Mark Goodson-Bill Todman and Sherman became strained to the breaking point when he finally fought to execute an idea that was destined to fall flat. His plan was to have Tony Curtis teach the panel how to play some of the games he had played as a child growing up in New York City. The problems manifested themselves when it became obvious that Tony Curtis had never actually played any of the games that Sherman had brought the props for. The situation might have been salvaged had the props worked as planned, but they did not. The handkerchief parachute failed to open and land gracefully and the pool “tank” which was propelled by rubber band moved painfully slowly. The spot, which aired June 11, 1958, was a disaster and Sherman was fired as producer. His dismissal did not, however, prevent Mark Goodson-Bill Todman from bringing Sherman back many times as a guest on their shows in subsequent years after he achieved celebrity status following the release of his albums.
Sherman also produced a short-lived 1954 game show, What’s Going On? which was technologically ambitious, with studio guests interacting with multiple live cameras in remote locations. In 1961 he produced a daytime game show for Al Singer Productions called Your Surprise Package which aired on CBS with host George Fenneman.
My Son, The Folk Singer: Sherman lived in the Brentwood section of West Los Angeles next door to Harpo Marx, who invited him to perform his song parodies at parties attended by Marx’s show-biz friends. After one party, George Burns phoned a record executive and persuaded him to sign Sherman to a contract. The result was a long playing album of these parodies, entitled My Son, the Folk Singer, which was released in 1962. It sold over one million copies, and was awarded a gold disc.
My Son, The Celebrity:My Son, the Folk Singer was so successful that it was quickly followed by My Son, the Celebrity, which ended with “Shticks of One and Half a Dozen of the Other,” fragments of song parodies including Robert Burns’: “Dinna make a stingy sandwich, pile the cold cuts high;/Customers should see salami comin’ thru the rye.”
Success with Top 40 Hit: In 1963’s My Son, The Nut, Sherman’s pointed parodies of classical and popular tunes dealt with automation in the workforce (“Automation,” to the tune of “Fascination”), space travel (“Eight Foot Two, Solid Blue,” to “Five Foot Two, Eyes of Blue”), the exodus from the city to the suburbs (“Here’s to the Crabgrass,” to the tune of “English Country Garden”), and his own bloated figure (“Hail to Thee, Fat Person,” which perhaps only half-jokingly blames his obesity on the Marshall Plan).
One track from My Son, The Nut, a spoof of summer camp entitled “Hello Muddah, Hello Fadduh,” became a surprise novelty hit, reaching #2 on the national Billboard Hot 100 chart for three weeks in late 1963. The lyrics were sung to the tune of one segment of Ponchielli’s “Dance of the Hours”, familiar to the public because of its use in the Walt Disney film Fantasia. That December, Sherman’s “The Twelve Gifts of Christmas” single appeared on Billboard’s separate Christmas chart. Sherman had one other Top 40 hit, a 1965 take-off on the Petula Clark hit “Downtown” called “Crazy Downtown”, which spent one week at #40. Two other Sherman singles charted in the lower regions of the Billboard 100: an updated “Hello Mudduh, Hello Fadduh” (#59 in 1964), and “The Drinking Man’s Diet” (#98 in 1965). He “Bubbled Under” with “The End Of A Symphony”, reaching #113 in 1964, spotlighting Arthur Fiedler’s Boston Pops Orchestra.
Decline in Popularity: Sherman’s career success was short-lived: after peaking in 1963, his popularity declined rather quickly. After the JFK assassination, impersonator Vaughn Meader vowed to never again do a Kennedy impression, and perhaps because of this ominous shadow – Meader was a very popular parody impressionist of the day – and the resulting reluctance to book such acts, the public saw less of Sherman’s type of comedy. By 1965, Sherman had released two albums that did not make the Top 50 and in 1966, Warner Brothers dropped him from the label. His last album for the company, Togetherness, was released in 1967 to poor reviews and poorer sales. All of Sherman’s previous releases had been recorded in front of a live studio audience – or in the case of Live, Hoping You Are The Same, recorded during a Las Vegas performance – but Togetherness was not, and the lack of an audience and their response affected the result, as did the nondescript backup singers and studio orchestra.
On and Off Broadway: In 1969, Sherman wrote the script and lyrics – but not the music, which was written by Albert Hague – for The Fig Leaves Are Falling, a flop Broadway musical that lasted only four performances in 1969, despite direction by George Abbott and a cast that included Barry Nelson, Dorothy Loudon and David Cassidy.Still creative, in 1973 Sherman published the controversial The Rape of the A*P*E*, which detailed his point of view on American Puritanism and the sexual revolution.
With Dr. Suess: In 1971, Sherman was the voice of Dr. Seuss’s “The Cat in the Hat” for the television special. He also did voice work for Dr. Seuss on the Loose, his last project before his death.
Death: Late in his life, Sherman drank and ate heavily, which resulted in a dangerous weight gain; he later developed diabetes and struggled with lung disease. In 1966, his wife Dee filed for divorce, and received full custody of their son and daughter.
Sherman lived on unemployment for a time and moved into the Motion Picture Home, near Calabasas, California for a short time in order to lose weight. He died of emphysema at home in West Hollywood ten days before his 49th birthday. He is entombed in Culver City, California’s Hillside Memorial Park Cemetery.
Legacy: Sherman was the inspiration for a new generation of developing parodists such as “Weird Al” Yankovic, who pays homage to Sherman on the cover of his first LP. Sherman’s hit song, “Hello Muddah, Hello Fadduh” has been translated into other languages. In one notable example, the Dutch-Swedish poet Cornelis Vreeswijk has translated the song into Swedish and adopted it as his own.
I am a recovering engineer and rocket scientist turned project manager turned management consultant turned publisher. I have always been a purveyor and proponent of education, expertise, erudition and enlightenment, and someday I will figure out what I want to be when I grow up.