Twitter was created in March 2006 by Jack Dorsey and launched in July of that year.
Twitter’s origins lie in a “day long brainstorming session” that was held by board members of the podcasting company Odeo. While sitting in a park on a children’s slide and eating Mexican food, Dorsey introduced the idea of an individual using an SMS service to communicate with a small group.
The first Twitter prototype was used as an internal service for Odeo employees and the full version was introduced publicly on July 15, 2006
The original project code name for the service was ‘twttr‘, an idea that co-Founder Evan Williams later ascribed to Noah Glass, inspired by the name of the social media image website ‘Flickr’ and the five-character length of American SMS short codes.
Jack Dorsey sent the first tweet on March 21 2006, “just setting up my twttr”.
The team finally settled on the name ‘twitter‘, which means ‘chirps from birds’ in essence ‘a short burst of inconsequential information’
(from left to right) Jack Dorsey with Twitter co-founders Biz Stone and Evan Williams
Twitter was incorporated in April 2007; it was co-founded by Biz Stone, Evan Williams and Jack Dorsey – @biz, @ev and @jack.
It had 400,000 tweets posted per quarter in 2007
The tipping point for Twitter’s popularity was the 2007 South by Southwest (SXSW) festival. During the event, Twitter usage increased from 20,000 tweets per day to 60,000.
The hashtag (#) feature on Twitter which groups tweets by subject debuted in August 2007, proposed by a user.
In 2008 there were only 3 million registered users
In 2008 there were only 1.25 million tweets per day
Jan 2008 there were only 8 employees
In 2009 Twitter had 8 million registered users
In October 2009, Google and Microsoft began integrating tweets into their search products.
In March 2010 the average number of tweets people sent per week was 350 million.
25 billion tweets sent on Twitter in 2010
100 million new accounts added on Twitter in 2010
In 2011 there are now over 400 employees and Twitter is adding workers almost weekly.
As of March 2011, there were an estimated 225 million users
Twitter has more than 200 million users tweeting more than 140 million tweets a day.
75% of Twitter traffic comes from third-party applications
60% of all tweets come from third-party apps
The infamous Twitter "fail whale"
There are over 100,000 Twitter applications
Last year alone, Twitter users sent 25 billion tweets and the company added more than 100 million new registered accounts.
3 years, 2 months and 1 day…the time it took from the first tweet to the billionth tweet.
It now takes one week for users to send a billion Tweets.
140 million is the average number of tweets people sent per day in February 2011
177 million tweets sent on March 11, 2011.
When Michael Jackson died on June 25, 2009 there were 456 tweets per second (TPS)…a record at that time.
The current TPS record is 6,939 tweets per second set 4 seconds after midnight in Japan on New Year’s Day
Pop star Lady Gaga (@ladygaga) has the most Twitter followers with 8.78 million followed by Justin Bieber (@justinbieber) with 8.13 million, Britney Spears (@britneyspears) with 7.12 million, Barack Obama (@barackobama) with 6.97 million and Kim Kardashian (@kimkardashian) with 6.73 million.
Actor Charlie Sheen
Actor Charlie Sheen (@charliesheen) was the fastest to one million followers, picking them up in just 1 day.
Twitter is based in San Francisco, with additional employees in New York, Chicago, Los Angeles and Washington.
The initial Twitter logo was created by Stone, a former graphic designer.
A Forrester report revealed that “Twitterers are the connected of the connected, overindexing at all Social Media habits. For example, Twitterers are three times more likely to be Creators (people who create and share content via blog posts and YouTube) as the general US population” (source Forrester report “Who Flocks to Twitter”)
572,000 is the number of new accounts created in one day (March 12, 2011)
460,000 is the average number of new accounts per day created in February, 2011
182% is the increase in number of mobile users over the past year.
The first unassisted off-Earth Twitter message was posted from the International Space Station by NASA astronaut T. J. Creamer on January 22, 2010
Most reference books list Robert Allen Zimmerman’s birth date as May 24, 1941. But a passport issued to Robert Dylan in 1974 says his birth date is May 11, 1941.
Robert Allen Zimmerman received a D-plus in a music-appreciation class at the University of Minnesota.
Bob didn’t care to speak to other musicians, other than talking about stuff related to music and what they were recording or playing at the time. He would speak to people he knew, but wasn’t really interested in becoming “friends” with the musicians he met…apart from a few guys that became close to him like George Harrison.
In 1970 Dylan received an honorary doctorate of music from Princeton University.
Dylan’s reputation has long been larger than his record sales. His best-selling album is “Greatest Hits” (1967), which has been certified double-platinum, meaning it has sold between 2 million and 3 million copies. Runner-up is “Greatest Hits – Vol. II” (1971), a million-seller; Columbia Records doesn’t release sales figures, but a representative said “Vol. II” is nearing double-platinum. The next bestsellers are “Desire” (’76) and “Blood on the Tracks” (’75), both of which have achieved platinum status.
Bob had a rule that he only ever recorded music at night, he would show up to the studio around 9pm and work until the early hours of morning…always. Occasionally his band would record music pieces during the day and try to get Bob to listen to it, Bob would say “I don’t even wanna hear it if it was recorded during the day”
None of Dylan’s singles has ever reached No. 1 on Billboard’s pop chart. “Like a Rolling Stone” (1965) peaked at No. 2, as did “Rainy Day Women #12 & 35” (’66).
The Byrds flew to No. 1 in ’65 with a version of Dylan’s “Mr. Tambourine Man.”
“Blowin’ in the Wind” is the only Dylan tune to hit the Top 10 twice – in 1963 by Peter, Paul & Mary, when it carried to No. 2, and in ’66, when Stevie Wonder took it to No. 9.
Under his senior photo in the Hibbing High School yearbook, Zimmerman said he wanted “to join Little Richard.”
In the summer of 1959 Zimmerman played piano in Bobby Vee’s band – for two gigs.
Dylan’s harmonica is heard on records by Harry Belafonte, George Harrison, Steve Goodman, Roger McGuinn, Booker T. and Priscilla Jones, Doug Sahm, Carolyn Hester, Ramblin’ Jack Elliott and Sly & Robbie.
Among the pseudonyms Dylan has used when appearing on others’ records have been Blind Boy Grunt, Tedham Porterhouse, Robert Milkwood Thomas, Roosevelt Gook and Bob Landy.
The Minnesota Historical Society lists 97 Dylan items in its reference library. Included are a 1987 Ph.D. thesis by a Purdue University student, five fanzines, 17 books and articles published in Germany, one children’s book, and Dylan’s original, hand-written lyric sheet for “Temporary Like Achilles,” a 1966 song on “Blonde on Blonde.” The Historical Society bought it from a collector in 1988. The most interesting title in the society’s collection is “Mysteriously Saved: An Astrological Investigation into Bob Dylan’s Conversion to American Fundamentalism” by John Ledbury. Bob Spitz’s 1989 tome, “Dylan,” is the biggest item, at 639 pages.
Little Sandy Review, a mimeographed Twin Cities rag about folk music published in the late ’50s and early ’60s, was the first source to reveal that Zimmerman had invented Dylan. Little Sandy editor Paul Nelson later became a key editor at Rolling Stone.
Dylan adapted “Blowin’ in the Wind” from a spiritual, “No More Auction Block,” which is also known as “Many Thousands Gone.”
Dylan was scheduled to appear on “The Ed Sullivan Show” on May 12, 1963, with Irving Berlin, Al Hirt, Rip Taylor, Teresa Brewer, Myron Cohen and Topo Gigio, the Italian mouse. Dylan was going to sing “Blowin’ in the Wind” and “Talkin’ John Birch Paranoid Blues.” During the dress rehearsal, he was told that “John Birch” was deemed too controversial by network censors, and program producer Bob Precht, whose idea it was to invite Dylan on the show, asked him to sing another song. Dylan declined and did not appear.
“Talkin’ John Birch Paranoid Blues” was scheduled to be included on Dylan ‘s second album, “The Freewheelin’ Bob Dylan.” Columbia Records got paranoid, recalled the album and removed the song.
On June 7, 1969, Dylan sang “I Threw It All Away” and “Living the Blues” on Johnny Cash’s TV program. They sang a duet on “Girl from the North Country.”
Bob asked his music engineer to get him a 1966 Harley Davidson Shovelhead. Bobs engineer Mark Howard got him the bike and watched Bob ride away on it, but heard him stall the bike just around the corner and went to see if he needed any help. He found Dylan sitting on the bike staring straight ahead with 3 people hanging around the front of the bike asking for his autograph…Dylan just sat there like he did not even see them, he then proceeded to start the bike again and ride off without acknowledging the 3 fans. Bob liked to ride his bike with no helmet and told Howard that “The police are really friendly around here…they are all waving at me” Howard told him that they were waving at him because he had no helmet on and wanted him to stop!!
Dylan’s first major U.S. TV appearance was on “The Steve Allen Show” in early ’64.
In August 1969 Dylan made his first paid public performance since July 26, 1966, when he broke his neck in the crash of his Triumph 500 motorcycle. Backed by the Band, he performed in front of 200,000 people at England’s Isle of Wight festival. He was paid $75,000 for a 70-minute performance.
Dylan flew his parents, Abe and Beatty Zimmerman, to New York to see him perform at Carnegie Hall on Oct. 12, 1963.
Dylan married Sara Lownds in an impromptu private ceremony Nov. 22, 1965, in a judge’s chamber in Mineola, N.Y. Two days later the singer told an interviewer from the Chicago Daily News, “I don’t hope to be like anybody. Getting married, having a bunch of kids, I have no hopes for it.” Dylan’s marriage was not announced until February 1966.
Sara Dylan received custody of the couple’s four children in their 1977 divorce. A fifth child, Sara’s daughter Maria Dylan, is married to singer-songwriter Peter Himmelman, formerly of St. Louis Park.
When Dylan accepted his Grammy for “Lifetime Achievement” in February, he said, “Well, my daddy didn’t leave me too much . . . he was a very simple man.” He shifted anxiously. “But he did say, `Son . . . it’s possible to be so defiled in this world that your own mother and father will abandon you. And if this happens, God will always believe in your own ability to mend your ways.'”
Since around 1975 Bob has only ever included 10 or less songs on his albums (not including “best of” or “compilation” albums) regardless of whether or not he had more than 10 songs in the pipeline at the time. On his album “Oh Mercy” the producers tried to get Dylan to include an eleventh song “Series Of Dreams” Bob replied with “Y’know what..I only put 10 songs on my albums” the producers tried again, saying that the song was so great it simply had to go onto the album…Bob replied again “nah nah, I’m only puttin 10 songs on there”…end of story!!
Dylan won his first Grammy in 1980 for best rock vocal performance for the religious-oriented “Gotta Serve Somebody.” “Slow Train Coming,” the album on which the song appeared, was named best inspirational album at the Dove Awards, which recognize gospel recordings.
While attending the University of Minnesota in 1959 and ’60 Zimmerman lived at the Sigma Alpha Mu fraternity house on University Av. and later above Gray’s Campus Drug in Dinkytown. He performed at the Ten O’Clock Scholar coffeehouse, where the Dinkytown Burger King now stands.
Whenever Bob was out and about he almost always wore a hoody, whether for anonymity or not, who knows. One day a drummer that was brought in to play with Bob’s band asked one of the engineers “Where the F**k is Bob Dylan” the engineer proceeded to say “he’s sitting right next to you” Bob just looked up in his hoodie, raised his eyebrows and continued writing lyrics!!
Dylan’s quasi-autobiographical 1977 movie, “Renaldo & Clara,” was three hours and 57 minutes long. He portrayed Renaldo, while musician Ronnie Hawkins played a character named Bob Dylan. The film included 47 songs.
After taking a shellacking from critics, the movie was edited to about 90 minutes.
Dylan’s first two movies were documentaries – “Don’t Look Back,” a look at his 1965 British tour, was released in ’67, but did not receive widespread distribution until ’75; “Eat This Document,” which was shot in ’66 for an ABC-TV special, was screened as a movie in ’71.
Dylan is the author of two books. “Tarantula,” which was rejected by Macmillan and Co. in 1965, was bootlegged in ’70 and officially published in ’71. “Writing and Drawings by Bob Dylan” was published in ’73; it features 187 song lyrics, 17 drawings, 26 poems and five pages of manuscript.
Dylan phoned critic Robert Shelton of the New York Times to invite Shelton to review his performance Sept. 26, 1961, at Gerde’s Folk City, opening for the Greenbriar Boys. It was considered audacious for an artist to ask a critic for a review – especially one from the Times. Dylan hoodwinked Shelton during an interview; among other things, Dylan said that when he was 13, he ran away and joined the circus and that he had recorded with Gene Vincent in Nashville, Tenn. Shelton’s rave review launched Dylan’s career.
In 1961, after rave reviews on the New York coffeehouse circuit, Dylan signed a three-year deal with Witmark & Sons to publish his songs. In three years Dylan wrote 237 songs for Witmark, including “Blowin’ in the Wind,” “A Hard Rain’s Gonna Fall,” “Masters of War,” “With God on Our Side,” “It Ain’t Me Babe,” “Don’t Think Twice, It’s All Right,” “Only a Pawn in Their Game” and “Mr. Tambourine Man.”
Dylan was a contributing editor to “Broadside,” the folk-music magazine.
Judson Manning, the Time magazine correspondent belittled in “Ballad of a Thin Man” (“Because something is happening here/But you don’t know what it is/ Do you, Mr. Jones?”), interviewed not only Dylan, but also Adolf Hitler.
Three Dylan songs begin with nearly the same line, “Early in the mornin’. . . .” The songs are “Obviously Five Believers,” “Pledging My Time” and “Tangled Up in Blue” (which actually starts “Early one mornin’ . . . “).
Although they never received credit on the liner notes (which had already been printed), a handful of Minnesota musicians appeared on a few tunes on “Blood on the Tracks” that were rerecorded at Sound 80 in Minneapolis in December 1974. The players included drummer Bill Berg, bassist Billy Peterson, fiddler-mandolinist Peter Ostroushko, keyboardist Gregg Inhofer and guitarists Kevin Odegard and Chris Weber.
Dylan introduced the Beatles to marijuana in August 1964 at the Delmonico Hotel in New York.
Columbia Records hired Bob Johnston to produce Dylan’s “Highway 61 Revisited” sessions in Nashville as a reward for having returned Patti Page, a Columbia stalwart, to the charts with “Hush Hush, Sweet Charlotte.”
Louis Kemp, Dylan’s childhood friend, was hired as a staff member on Dylan’s Rolling Thunder Revue in 1975. He now runs Louis Kemp Seafood Co.
In 1967, while recuperating from his motorcycle accident in Woodstock, N.Y., Dylan signed with MGM Records, home of the Righteous Brothers, the Lovin’ Spoonful, Connie Francis and the late Hank Williams. MGM withdrew the contract on a technicality, and Dylan signed with Columbia.
When Dylan was wooed to Asylum Records in 1973, Columbia put out “Dylan ” to spite him. The album of outtakes includes versions of Joni Mitchell’s “Big Yellow Taxi” and Jerry Jeff Walker’s “Mr. Bojangles.”
After seeing Tiny Tim perform Dylan’s “Positively Fourth Street” in California, Dylan summoned the fey singer to Woodstock in 1967. For Dylan, Tiny Tim did an impression of Rudy Vallee singing “Like a Rolling Stone” and an impression of Dylan singing Vallee’s “There’s No Time Like Your Time.”
Bob always carried around a rolled-up bundle of paper with lyrics that he was working on, it was always written in pencil, and he was totally fanatical about his words. Bob would even be writing down new lyrics during recording sessions…adding, deleting and taking out words. He would have a piece of paper with thousands of lyrics written down, most of which was mainly illegible to other readers, words going upside down, sideways and all over the page. His crew hardly ever seen him eat, but he was always drinking coffee, smoking cigarettes and hacking away at his lyrics. Dylan told his pianist he had been working on some of his songs for five or six years, trying to get them the way he wanted them…perfect!!
Among the duets Dylan has recorded for other artists’ albums are “Buckets of Rain” with Bette Midler, “Sign Language” with Eric Clapton and “Don’t Go Home with Your Hard-on” with Leonard Cohen.
The first time Dylan plugged in and played electric guitar at the Newport Folk Festival in 1965, he was accompanied by members of the Paul Butterfield Blues Band. Later that summer, at Forest Hills Stadium, Dylan rocked with, among others, two members of the Band, Robbie Robertson and Levon Helm.
The Zimmerman family home at 2524 7th Av. E. in Hibbing was sold in August 1990 for $50,000. It had been on the market for about nine months. Its previous owner, who reportedly bought it from the Zimmerman family, sold many items to a Dylan collector.
Imprisoned boxer Ruben (Hurricane) Carter wasn’t the only prizefighter about whom Dylan sang. In 1963 Davey Moore was knocked out by Sugar Ramos and died two days later; 18 days later Dylan began singing “Who Killed Davey Moore?” The tune never appeared on record until this year’s “Bootleg Series.” Meanwhile, “Hurricane,” about the boxer who was jailed on murder charges and later exonerated, was a modest hit in ’76.
Hundreds of singers have recorded Dylan tunes. Otis Redding recorded “Just Like a Woman,” but decided not to release his version because he couldn’t get past the line, “with her fog, her amphetamine and her pearls.”
Dylan and John Lennon once wrote and recorded a song together while Dylan was on tour in England. “I don’t remember what it was, though,” Dylan said. “We played some stuff into a tape recorder, but I don’t know what happened to it. I don’t remember anything about the song.”
Bob never ever played the same song exactly the same. Whether he was just jamming, or recording, he would play the song in a different key, using different phrasing, or a different tempo…..this would often totally confuse other musicians in his band. Bob Dylan hated to repeat himself…ever!!
Since moving from Minneapolis to New York in 1960, Dylan has performed only five times in the Twin Cities – 1965 (at the Minneapolis Auditorium), ’78 (St. Paul Civic Center), ’86 (Metrodome), ’89 (RiverFest at Harriet Island) and ’90 (Minnesota State Fair).
“Bob Dylan,” his first album, was recorded in a few hours at a cost of $402. Initially it sold 5,000 copies. Since then more than 35 million Dylan records have been sold.
Dylan was the first big-name rock figure from the ’60s to turn 50 as of May, 1991.
There has never been an official video made by Bob Dylan for “Like a Rolling Stone”, although there is currently a contest on YouTube for fans to make one.
Highest chart position: 17 (UK: December 27, 1962), 1 (1 week) (US: May 30, 1964)
Live versions: February 20, 1963, for BBC radio’s Parade Of The Pops.
BBC versions: Eight (for the BBC radio programs Here We Go, Talent Spot, Saturday Club, Side By Side, Pop Go The Beatles, and Easy Beat.
History:
An attempt at a straight blues that dates all the way back to the Quarrymen days of 1958.
Originally, the song was sung as a Everly Brothers-style duet, with John taking the solo “Love Me Do” at the end of each verse. However, John decided to add harmonica to the song at some point, having been directly inspired by Bruce Channel’s recent hit “Hey Baby.” Since he couldn’t play the harmonica riff and sing the last line of verse at the time, producer George Martin ordered Paul to do it instead, on the spot. You can hear the nervousness in his shaky spotlight.
There are two versions of this song. Version 1 features Ringo on drums and was recorded first. When the Beatles reconvened to cut the song again on September 11, 1962, however, producer George Martin, still unsure of the new kid Ringo’s ability, substituted session drummer Alan White. This “version 2,” on which Ringo merely plays a tambourine, remains the best-known (and, frankly, better quality) version: it was released as a single in the US, as opposed to the original single in the UK, which was taken from version 1 (although subsequent UK pressings used version 2). Version 2 was also kept off the Please Please Me album in favor of 1, although Martin claims this was probably not done on purpose.
Although this was never a favorite among most Beatles fans, John and Paul have both stood by the song in interviews.
Trivia:
This song was actually recorded first on June 6, 1962 during the group’s first audition with EMI. At that time, Pete Best was still the drummer. This version, thought lost for years, turned up in George Martin’s home and can no be found on the CDAnthology 1 (Apple 34445).
George Martin originally wanted the band’s first single to be an outside composition called “How Do You Do It,” but although the band recorded it, they eventually won the right to release this instead. Gerry and the Pacemakers later had a hit with a cover of “How Do You Do It” modeled very closely after the Beatles’ version.
Rumor has been spread for years that this, the Beatles’ first UK single, only made it onto the charts because manager Brian Epstein personally purchased 10,000 copies of it. No evidence of this has ever been found, however, and John Lennon, for one, has publicly branded the rumor as false.
This song was reissued as a single in the UK in 1984, and this time climbed to #4.