Police Squad!: The Short-lived yet Critically-acclaimed Show that Became a Successful Movie Franchise

Police Squad! Opening Title Sequence

Fun Facts About Police Squad!

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  Drebin (Leslie Nielsen), Norberg (Peter Lupus) and Hocken (Alan North), the main characters of Police Squad!

  Police Squad! was a television comedy series first broadcast in 1982. It was a spoof of police dramas, packed with visual gags & non sequiturs.

• While a parody of many television shows & movies, it bore a particular resemblance to the Lee Marvin cop show, M Squad.
• Police Squad! was created by Jim Abrahams, David Zucker & Jerry Zucker, who had previously worked together on The Kentucky Fried Movie & Airplane!.
• Despite critical acclaim, the show was cancelled by ABC after just six episodes.
• This was enough to gain a strong cult following through repeats on TV, which led to the 1988 movie version The Naked Gun: From The Files of Police Squad! & two further sequels. Many gags from the show were recycled for the films.
• Leslie Nielsen played Detective Frank Drebin in the series & all three films. Alan North played the role of Captain Ed Hocken on the show; in the films, the role was played by George Kennedy.
• Peter Lupus also co-starred on the show as Officer Nordberg, while O.J. Simpson appeared as Nordberg in the films.
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  Ed, Frank and "Tall Al"

  Ed Williams, who played scientist Ted Olson on the show, would reprise his role in the films, making him & Nielsen the only two actors from the series to appear in the movies.

• Robert Goulet, who appeared as one of the “special guest stars” who were invariably killed off at the beginning of their episodes, would appear as villain Quentin Hapsburg in the second Naked Gun film.
• Dr. Joyce Brothers played herself in The Naked Gun: From the Files of Police Squad! She also played herself in Episode 4 of the television series.
• The show was presented in the style of a Quinn Martin show of the early 1970s, with a portentous narrative over the opening titles which made a big feature of the show being “…in color”, followed by numerous gags.
• Each episode would similarily play credits over a 1970-s style freeze frame of the final scene, except that the frame was not frozen – the actors simply stood motionless in position while other activities (pouring coffee, convicts escaping, chimpanzees running amok) continued around them.
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  The Naked Gun was the first of three movies based upon Police Squad!

  One noticable difference between the series & the films is in the portrayal of Frank Drebin. In the series he is shown to be considerably more competent & straight-laced, & less Maxwell Smart-like than he is depicted in the films. The TV portrayal of Drebin was never intended to be overtly comic, merely a sendup of the ultra-serious Dragnet-like portrayal of TV cops (Nielsen’s trademark deadpan delivery was a perfect fit for this kind of parody). In the series, Drebin was intended to be the archetype of the straight man, in contrast to the rampant hilarity going on around him. It was not until the films that Drebin was changed to a more outwardly comic character.

• ABC announced the cancellation of Police Squad! after four of its six episodes had aired in March of 1982. The final two episodes were aired that summer.
• According to then-ABC entertainment president Tony Thomopoulos (on Entertainment Tonight), “Police Squad! was cancelled because the viewer had to watch it in order to appreciate it.” What Thomopoulos meant was that the viewer had to actually pay attention to the show in order to get much of the humor, while most other TV shows did not demand as much effort from the viewer.
• In its annual “Cheers & Jeers” issue, TV Guide magazine called the explanation for the cancellation “the most stupid reason a network ever gave for ending a series.”
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  Police Squad! DVD Cover

  Matt Groening is quoted as saying “If Police Squad! had been made twenty years later, it would have been a smash. It was before its time. In 1982 your average viewer was unable to cope with its pace, its quick-fire jokes. But these days they’d have no problems keeping up, I think we’ve proved that.”

• Four years later, ABC aired another law enforcement series spoof titled Sledge Hammer! which enjoyed more longevity. The show, created by Alan Spencer, featured characters that were not one-dimensional (unlike “Police Squad”), as well as more serious undercurrents to the plots. There was also a legitimate relationship between David Rasche’s Hammer & his female partner, Doreau.
• The series was released to DVD on November 6, 2006 in the United Kingdom, & a day later in the United States. Special features include audio commentaries on several episodes, a gag reel, a new interview with Leslie Nielsen, featurettes, & a photo gallery. Co-creators David Zucker, Jerry Zucker, & Jim Abrahams recorded audio commentary, along with series writers Robert K. Weiss & Robert Wuhl.

Opening Title Sequence

The title sequence was packed with sight & visual gags. A selection:

• Spoofing 1960s police show N.Y.P.D., the opening credits would show a red flashing squad car light going down a city street.
• When Captain Hocken is introduced in his office, someone offscreen starts shooting the place up, with ridiculous results (people catching on fire, jumping out windows, etc; one woman even throws her baby on the floor as she runs away).
• According to Pat Proft, had the show been renewed for a second season, this sequence would have been replaced by Mahatma Gandhi brandishing an assault rifle.

Titles

The opening sequence of each episode ends with an on-screen graphic listing the title of the episode, accompanied by an announcer’s voice-over intentionally giving a different title for the episode. The list of episode titles, with the on-screen graphic title followed by the announcer’s title in parentheses:

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  Police Squad Ending Credits

  “A Substantial Gift” (“The Broken Promise”)

• “Ring of Fear” (“A Dangerous Assignment”)
• “Rendezvous at Big Gulch” (“Terror in the Neighborhood”)
• “Revenge & Remorse” (“The Guilty Alibi”)
• “The Butler Did It” (“A Bird in the Hand”)
• “Testimony of Evil” (“Dead Men Don’t Laugh”)

Guest Stars

During the opening credits of each episode, a well-known actor is introduced as a “special guest star”, but is then killed off during the introduction, thus completing their appearance on the show. Stars included:

• Lorne Greene (stabbed & thrown from a speeding car)
• Georg Stanford Brown (crushed by a falling safe)
• Florence Henderson (gunned down while singing in a kitchen)
• William Shatner (dodges a salvo of bullets but drinks poisoned wine)
• Robert Goulet (executed by firing squad)
• William Conrad (stabbed & thrown from a speeding car)
• A sequence was filmed with John Belushi (chained to concrete blocks underwater) but the actor died shortly before the episode was due to air, & the producers decided not to use the scene. According to the user-edited Internet Movie Database the producers wanted to include the Belushi scene when Police Squad was rebroadcast in the 1990s, but the footage could not be located & is presumed lost.

Running Gags

Drebin getting advice from Johnny, the shoeshine guy

Frank Drebin’s rank constantly changes, often many times within a single scene. He often introduces himself (in narrative) as “Sergeant Frank Drebin, Detective Lieutenant Police Squad”, which is a non-existent rank made up of three real ones (Larger police departments often have Detective Lieutenants & Detective Sergeants, but NOT all three titles.) Also, in the first episode, a witness first refers to Drebin as ‘Sergeant’ then a few lines later calls him both ‘Lieutenant Drebin’ & finally ‘Captain Drebin’.

Drebin repeatedly drives into something (usually trash cans) when he parks his car. The number of trash cans he hits indicates the episode number i.e. one in episode one, two in episode two & so on.
Each episode had a crime lab scene where Ted Olson is giving a highly suspect or dangerous lesson to a kid, in a parody of Watch Mr. Wizard, when Frank interrupts him.
Ted uses the doorway while Frank walks around the set.

Drebin would offer a cigarette to people he was interviewing with the line “Cigarette?”, to which they would respond “Yes, I know” or “Yes, it is.” Drebin’s usual response would be a slightly nonplussed “Well…”

Drebin frequently needs to meet with Johnny, the omniscient shoeshine boy who knows everything in town, for “the word on the street”. Johnny won’t actually tell Frank anything until Frank slips him a bribe (often saying, “I dunno anything about it,” or, “It’s a big city,” until he’s paid). Each time Frank leaves Johnny, a specialist or celebrity arrives, & asks Johnny for advice about their particular profession:

• A doctor asks Johnny how to perform an operation
• A priest inquires about Johnny’s views on life after death
• A fireman is instructed how to fight a fire at a furniture warehouse
• Dick Clark asks about ska
• Joyce Brothers talks with Johnny about psychology
• Tommy Lasorda wonders about baseball, specifically his problems with his pitching game

Act II Running Gag

The Act II label is followed by a joke:

• Act II: Bruté?
• Act II: Gesundheit
• Act II: Richard III
• Act II: Ball III
• Act II: Lieber
• Act II: Yankees One

The weekly criminal is always sent to “the Statesville Prison” (a pun on State Prison). Captain Hocken recites the names of the criminals caught in the previous episodes, so by episode six, five names are recited plus the final culprit.

The glass door of the squad room has “Police Squad” written on it in gold in such a manner that whichever side you look at it, one of the words is written backwards.

The Zucker Brothers hailed from Shorewood, Wisconsin, a suburb of Milwaukee. In every episode, a discreet reference is made to Milwaukee place.

Other jokes

In “Rendezvous at Big Gulch” (“Terror in the Neighborhood”), the characters work undercover in a locksmith shop. Whenever anyone enters, Norberg is cutting a key on a grinding wheel & loses his grip. The key flies up & embeds itself in the ceiling—along with hundreds of others already stuck. As someone exits the shop, the door slams & all the keys fall to the floor.

"I'm a locksmith. And I'm a locksmith."

Drebin, posing as a locksmith, enters a man’s office & is greeted by the resident with “Who are you & how did you get in here?” to which Drebin replies, “I’m a locksmith … & I’m a locksmith.”

The locksmith shop at one point in the episode is vandalized with a rock thrown through the window, leaving a hole where the “L” would be in “Locksmith.” In a later scene, Frank goes to the shop to open it in the morning & sees a man waiting with a big ox. The window with the hole reads “ocksmith” (ox smith), & Frank can be seen explaining to the man he doesn’t shoe animals.

Also in the locksmith shop, behind the counter is a board labelled “Car Keys, House Keys, Florida Keys (a map of the Florida Keys), Francis Scott Keys (which are red, white, & blue), Honkeys (which are all white), Turkeys, & Pot Roast”

In “The Butler Did It” (“A Bird in the Hand”), a kidnapping takes place in a Japanese garden. This consists of pots with Japanese people standing in them. Drebin asks to see the “crime scene,” so a film projector is started showing the same scene of the kidnapping shown minutes earlier in the episode (complete with a slate).

In “A Substantial Gift”(“The Broken Promise”), as Frank & Ed are driving to Little Italy, the rear-projected background scene is from Rome, Italy, including the Colosseum. Later, the Leaning Tower of Pisa is seen out of an apartment window.

In the same episode, the U.S. Capitol Building is seen out the window of the Police Squad headquarters. In another episode, the Eiffel Tower is seen out the window. In each episode, a map of the New York City & Chicago metropolitan areas hang on the wall.

In “The Butler Did It” (“A Bird in the Hand”), Frank & Ed stop to fill up at an ARGON gas station. ARGON is the name of an oil company with an ad appearing in “Kentucky Fried Movie”, in which they claim to refine oil from teenager’s faces, discarded hair combs, leftover fast food, & other sources.

VIDEO:  Police Squad! Opening Intro

VIDEO:  Police Squad!  Frank visits Johnny, the shoeshine guy

VIDEO:  Police Squad! Epilogues

Special thanks to www.lonympics.co.uk

Allan Sherman: Writer, producer, singer and brilliant comic parodist

Allan Sherman, Nov 30, 1924 - Nov 20, 1973

 

Fun Facts About Allan Sherman

Birth and Death: November 30, 1924 – November 20, 1973

Most known for: An American comedy writer who became famous as a song parodist in the early 1960s.

First album: My Son, the Folk Singer (1962). It became the fastest-selling record album up to that time.

Biggest hit: Sherman’s biggest hit single was “Hello Muddah, Hello Fadduh”, a comic novelty in which a boy describes his summer camp experiences to the tune of Ponchielli’s Dance of the Hours.

Allan Copelon?: Sherman took his mother’s maiden name after being abandoned in childhood by his father, Percy Copelon, a stock car racer, mechanic, and inventor. Much later, Copelon offered to pay for Sherman’s education if he would re-take the family name, but when no support was forthcoming, the young man became Allan Sherman once again.

TV Show Writer and Producer: Sherman created a game show, which he called “I Know a Secret.” TV producer Mark Goodson used Sherman’s idea and turned it into I’ve Got a Secret, which ran on CBS from 1952 to 1967. Rather than paying him for the concept, Mark Goodson-Bill Todman Productions made Sherman the show’s producer. Sherman was reported to be warm and kindhearted to all who worked for him. But sparks often flew between Sherman and anyone who was in a position to try to restrain his creativity.

As producer of I’ve Got a Secret, which was broadcast live, he showed a fondness for large scale stunts that had the potential to teeter on the brink of disaster. He once released 100 bunny rabbits onstage as an Easter surprise for the Madison Square Boys Club, whose members were seated in the studio. The boys were invited to come up onstage to collect their prize. Although the resultant melee made a good story, it did not necessarily make for good TV. The relationship between Mark Goodson-Bill Todman and Sherman became strained to the breaking point when he finally fought to execute an idea that was destined to fall flat. His plan was to have Tony Curtis teach the panel how to play some of the games he had played as a child growing up in New York City. The problems manifested themselves when it became obvious that Tony Curtis had never actually played any of the games that Sherman had brought the props for. The situation might have been salvaged had the props worked as planned, but they did not. The handkerchief parachute failed to open and land gracefully and the pool “tank” which was propelled by rubber band moved painfully slowly. The spot, which aired June 11, 1958, was a disaster and Sherman was fired as producer. His dismissal did not, however, prevent Mark Goodson-Bill Todman from bringing Sherman back many times as a guest on their shows in subsequent years after he achieved celebrity status following the release of his albums.

Sherman also produced a short-lived 1954 game show, What’s Going On? which was technologically ambitious, with studio guests interacting with multiple live cameras in remote locations. In 1961 he produced a daytime game show for Al Singer Productions called Your Surprise Package which aired on CBS with host George Fenneman.

My Son, The Folk Singer: Sherman lived in the Brentwood section of West Los Angeles next door to Harpo Marx, who invited him to perform his song parodies at parties attended by Marx’s show-biz friends. After one party, George Burns phoned a record executive and persuaded him to sign Sherman to a contract. The result was a long playing album of these parodies, entitled My Son, the Folk Singer, which was released in 1962. It sold over one million copies, and was awarded a gold disc.

My Son, The Celebrity: My Son, the Folk Singer was so successful that it was quickly followed by My Son, the Celebrity, which ended with “Shticks of One and Half a Dozen of the Other,” fragments of song parodies including Robert Burns’: “Dinna make a stingy sandwich, pile the cold cuts high;/Customers should see salami comin’ thru the rye.”

Success with Top 40 Hit: In 1963’s My Son, The Nut, Sherman’s pointed parodies of classical and popular tunes dealt with automation in the workforce (“Automation,” to the tune of “Fascination”), space travel (“Eight Foot Two, Solid Blue,” to “Five Foot Two, Eyes of Blue”), the exodus from the city to the suburbs (“Here’s to the Crabgrass,” to the tune of “English Country Garden”), and his own bloated figure (“Hail to Thee, Fat Person,” which perhaps only half-jokingly blames his obesity on the Marshall Plan).

One track from My Son, The Nut, a spoof of summer camp entitled “Hello Muddah, Hello Fadduh,” became a surprise novelty hit, reaching #2 on the national Billboard Hot 100 chart for three weeks in late 1963. The lyrics were sung to the tune of one segment of Ponchielli’s “Dance of the Hours”, familiar to the public because of its use in the Walt Disney film Fantasia. That December, Sherman’s “The Twelve Gifts of Christmas” single appeared on Billboard’s separate Christmas chart. Sherman had one other Top 40 hit, a 1965 take-off on the Petula Clark hit “Downtown” called “Crazy Downtown”, which spent one week at #40. Two other Sherman singles charted in the lower regions of the Billboard 100: an updated “Hello Mudduh, Hello Fadduh” (#59 in 1964), and “The Drinking Man’s Diet” (#98 in 1965). He “Bubbled Under” with “The End Of A Symphony”, reaching #113 in 1964, spotlighting Arthur Fiedler’s Boston Pops Orchestra.

Decline in Popularity: Sherman’s career success was short-lived: after peaking in 1963, his popularity declined rather quickly. After the JFK assassination, impersonator Vaughn Meader vowed to never again do a Kennedy impression, and perhaps because of this ominous shadow – Meader was a very popular parody impressionist of the day – and the resulting reluctance to book such acts, the public saw less of Sherman’s type of comedy. By 1965, Sherman had released two albums that did not make the Top 50 and in 1966, Warner Brothers dropped him from the label. His last album for the company, Togetherness, was released in 1967 to poor reviews and poorer sales. All of Sherman’s previous releases had been recorded in front of a live studio audience – or in the case of Live, Hoping You Are The Same, recorded during a Las Vegas performance – but Togetherness was not, and the lack of an audience and their response affected the result, as did the nondescript backup singers and studio orchestra.

On and Off Broadway: In 1969, Sherman wrote the script and lyrics – but not the music, which was written by Albert Hague – for The Fig Leaves Are Falling, a flop Broadway musical that lasted only four performances in 1969, despite direction by George Abbott and a cast that included Barry Nelson, Dorothy Loudon and David Cassidy. Still creative, in 1973 Sherman published the controversial The Rape of the A*P*E*, which detailed his point of view on American Puritanism and the sexual revolution.

With Dr. Suess: In 1971, Sherman was the voice of Dr. Seuss’s “The Cat in the Hat” for the television special. He also did voice work for Dr. Seuss on the Loose, his last project before his death.

Death: Late in his life, Sherman drank and ate heavily, which resulted in a dangerous weight gain; he later developed diabetes and struggled with lung disease. In 1966, his wife Dee filed for divorce, and received full custody of their son and daughter.

Sherman lived on unemployment for a time and moved into the Motion Picture Home, near Calabasas, California for a short time in order to lose weight. He died of emphysema at home in West Hollywood ten days before his 49th birthday. He is entombed in Culver City, California’s Hillside Memorial Park Cemetery.

Legacy: Sherman was the inspiration for a new generation of developing parodists such as “Weird Al” Yankovic, who pays homage to Sherman on the cover of his first LP. Sherman’s hit song, “Hello Muddah, Hello Fadduh” has been translated into other languages. In one notable example, the Dutch-Swedish poet Cornelis Vreeswijk has translated the song into Swedish and adopted it as his own.

 

Video: Hello Muddah Hello Faddah (1963)

Bonus Video: Harvey and Sheila (1963)

 

Special thanks to www.mahalo.com and www.youtube.com